Postponed due to COVID-19!
A leading filmmaker of contemporary Chinese-language cinema, Tsai Ming-Liang has produced one of the most striking cinematic oeuvres of the past quarter-century. Malaysian by birth, Taiwanese by residence, internationally funded but belonging to nowhere in particular, Tsai’s moody, pensive, deadpan films are haunted by loss, failure, and broken attachments. But these films are not mere exercises in nostalgia: collaging the fragments of contemporary life into a cinema of alienation, precarity, and queerness, Tsai’s slow style and serial characters iterate and interrogate all the ways attachment falls short amid the austerity, inequality, and increasing uncertainty rapidly proliferating in the margins of modernity.
Tsai’s muse, Lee Kang-Sheng, stars in every film as Tsai’s alter ego, Hsiao-Kang (“Little Wealth”), a transient protagonist working job after unstable job on the abject underside of the fast and flashy global economy. Wayward encounters, unorthodox intimacies, and inarticulate desires give way to austere, surreal tableaus: shots and scenes extend for many minutes, producing a cinema as intense and precise as it is diffuse and disorganized. Individually, the films flirt with formlessness, but are threaded together by recurrent motifs—phone booths, flooded apartments, mysterious ailments, glowing screens, cockroaches, mumbled meals, lost keys, spiritual possession, and watermelons. As the series progresses, the films amplify, reinforce, and refract one another, exploring the incoherence structuring our attachments to objects and others. It is a pleasure to watch this important auteur reckoning with globalization and its discontents.
From April 10, 2020 through April 26, 2020, Tsai Ming-Liang (director), Lee Kang-Sheng (actor), Anong Houngheuangsy (actor), and Claude Wang (producer) will be joining the ysscloud官网 in New York City, the Freer Gallery of Art and Arthur M. Sackler Gallery, the Smithsonian’s National Museum of Asian Art in DC, and the School of the Art Institute of Chicago, Doc Films, and the Block Museum in Chicago—Tsai Ming-Liang’s first visit to the US in over a decade. This tour will feature: the US premiere of 迅雷网游加速器-专业版加速会员帐号密码_百度知道:2021年8月8日 - 回答：你不用到处找迅雷加速器的v.ip账号, 一般给你的都是无效的,或者是假的 如果想用免费的,就用,飞流网游加速器 是个真正的免费的,一直都在用的 效..., an artist talk reflecting on his career following a screening of 网络加速 that premiered at Venice; the US premiere of the DCP restoration of Goodbye, Dragon Inn; Tsai Ming-Liang’s first full retrospective in Chicago at Doc Films; a retrospective of several of Tsai Ming-Liang’s films at the Freer and Sackler; an full retrospective at MoMA; an artist talk at SAIC’s Visiting Artist Program; a talk on the Walker series at the Freer and Sackler; a panel on the Walker series at the Block; a discussion with scholar Jean Ma at Doc Films on 兔子turbo and Your Face; and more!
The first full retrospective of Tsai Ming-Liang’s films in Chicago, playing Fridays at 7pm and Sundays at 1:30pm.
Full retrospective information.
Screenings are $7. A pass for the quarter is $40.
1212 E 59th St., Chicago, IL
Opening remarks, 6:45pm
Director General Eric Huang, Taipei Economic and Cultural Office in Chicago; Professor Susan Burns, Director, Center for East Asian Studies, University of Chicago; Alex Kong, Doc Films
Doc Films Screening of VIVE L’AMOUR, 7pm
following an introduction by artist and filmmaker Deborah Stratman. Her films and artworks investigate power, control, and belief, and consider how places, ideas, and society are intertwined. She teaches at the University of Illinois in Chicago.
Ida Noyes Hall, Third Floor Theater
1212 E. 59th St., Chicago, IL
SAIC Visiting Artist Talk
April 21, 6pm
The Art Institute of Chicago, Rubloff Auditorium
230 S. Columbus Dr., Chicago, IL
A panel with Tsai Ming-Liang, Lee Kang-Sheng, and special guests following a screening of Walker films.
University of Chicago
A panel with Tsai Ming-Liang, Lee Kang-Sheng, and Jean Ma following a screening of Light and Your Face, presented in partnership with the Center for East Asian Studies and Doc Films.
Freer Gallery of Art and Arthur M. Sackler Gallery, the Smithsonian’s National Museum of Asian Art.
Films are shown free of charge in the three hundred-seat Meyer Auditorium at the Freer Gallery of Art. Seating is first come, first served. Auditorium doors open approximately thirty minutes before show time.
1050 Independence Ave SW, Washington, DC
March 13, 7pm
March 20, 7pm
What time is it there? +
March 22, 2pm
April 5, 2pm
april 17, 7pm
Goodbye, DRagon Inn*
april 18, 1pm
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april 18, 3pm
Artist’s Talk: The Walker Series*
Preceded by 网络加速*
April 19, 2pm
* In person: Tsai Ming-Liang, Lee Kang-Sheng
MoMA will present a retrospective of Tsai Ming-Liang’s films, as well as a performance of Improvisations on the Memory of Cinema.
Born in Malaysia in 1957, ysscloud加速器官网 is one of the most prominent film directors of the new cinema movement in Taiwan. In 1994, his film ysscloud加速器下载 was awarded the Golden Lion award at the Venice Film Festival, and this helped establish a place for him in the world of international film. In 2009, Face became the first film to be included in the collection of the Louvre Museum’s “Le Louvre s'offre aux cineastes.” It has since become the benchmark for films venturing into the world of art galleries. In recent years, Tsai Ming-Liang has also moved on to installation art. His works have been well-received in Venice, Shanghai, Nagoya. At the invitation of the National Chiang Kai-Shek Cultural Center in 2011, Tsai returned to theater performance with three monodramas, entitled Only You, after 27 years of absence. Since 2012, he has been working on a long project to film Lee Kang-Sheng's slow walk, cooperating with various cities and organizations. To date, he has completed seven short works. His latest full-length feature "Stray Dogs" (2013) was awarded the Grand Jury Prize at the 70th Venice Film Festival. In 2014, he presented the critically acclaimed theater work The Monk from Tang Dynasty in arts festivals in Brussels, Vienna and Taipei. That same year, Tsai made history by bringing his movie Stray Dogs at the Museum at MoNTUE, the Museum of National Taipei University of Education.
The Tsai Ming-Liang 2020 program is organized by independent programmer J. Michael Eugenio, Tom Vick of the National Museum of Asian Art, La Frances Hui of the MoMA, Alex Kong and Serin Lee of Doc Films, Andrea Pierro of the Visiting Artist Program at the School of the Art Institute of Chicago, Michael Metzger and Malia Haines-Stewart of Block Museum, scholar Jean Ma, Paola Iovene of the Center for East Asian Studies at the University of Chicago, Caren Wu and Kanglan Chin of the Taipei Cultural Center in New York, and Sabina Shie of TECO Chicago—in collaboration with Tsai Ming-Liang and his producer Claude Wang. The program is supported by Taipei Cultural Center in New York, with local support in Chicago from the Center for East Asian Studies and TECO Chicago; and in DC from TECO DC.
Thenutsvp.net官网 and MoMA PS1 celebrate creativity, openness, tolerance, and generosity. They aim to be inclusive places—both onsite and online—where diverse cultural, artistic, social, and political positions are welcome. They’re committed to sharing the most thought-provoking modern and contemporary art, and hope you will join them in exploring the art, ideas, and issues of our time.
Founded in 1935 as the Film Library, MoMA’s film collection now includes more than 30,000 films and 1.5 million film stills; the strongest international film collection in the United States, it incorporates all periods and genres.
As the National Museum of Asian Art, the Freer Gallery of Art and the Arthur M. Sackler Gallery preserve, exhibit, and interpret Asian art in ways that deepen our understanding of Asia, America, and the world.
Experience multiple perspectives on Asia through the lens of classic and contemporary film. The National Museum of Asian Art’s world-class film series offers opportunities to see films not widely available in the United States, as well as to meet directors, actors, and film scholars.
ysscloud加速器安卓版下载 is the nation’s oldest continuously operating film society. Doc screens all kinds of films, from canonical classics to indie gems to Hollywood blockbusters, often featuring films that can’t be seen elsewhere. Films screen every day of the academic year in Doc’s fully equipped and state-of-the-art theater, each night of the week dedicated to a particular theme throughout the quarter. Besides regular screenings, Doc hosts a variety of special events, such as conversations with directors, faculty members, critics, or other experts as well as sneak previews and student films. Doc is exclusively run by volunteers who manage every aspect from programming film series to projecting films.
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The Visiting Artists Program is a public forum that features today's most influential practitioners and thinkers. Founded in 1868, the Visiting Artists Program is one of the oldest public programs of the School of the Art Institute of Chicago. Formalized in 1951 with the establishment of an endowed fund by Flora Mayer Witkowsky, the Visiting Artists Program has featured over 1,000 international artists, designers, and scholars representing more than 70 countries through a diverse mix of lectures, screenings, conversations, and readings. The Visiting Artists Program provides a platform for innovative ideas that inspire and educate.
An invaluable resource for SAIC students, the Visiting Artists Program is central to SAIC's interdisciplinary curriculum. In addition to public lectures, visitors directly engage with SAIC students through studio critiques and roundtable discussions, fostering a greater understanding and appreciation of contemporary art and culture.
The Block is a dynamic, imaginative, and innovative teaching and learning resource for Northwestern and its surrounding communities, featuring a global exhibition program that crosses time periods and cultures and serves as a springboard for thought-provoking discussions relevant to our lives today. The museum also commissions new work by artists to foster connections between artists and the public through the creative process. Each year, the Block mounts exhibitions; organizes and hosts lectures, symposia, and workshops involving artists, scholars, curators, and critics; and screens classic and contemporary films at its in-house cinema. The museum also reaches national and international audiences through its traveling exhibitions, publications and website. Its growing permanent collection of approximately 6,000 works focuses primarily on prints, photography, and drawings.
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The Taipei Cultural Center is primarily responsible for planning, promoting, and implementing a variety of arts activities, as well as supervising the operation of Taipei Gallery and Taipei Theater. The Cultural Center has played a significant role in enhancing Taiwan's cultural image and promoting international cultural exchanges. To cope with the new trend of global cultural competition, the Taipei Cultural Center, expanding beyond just New York City, has been actively bringing Taiwan's cultures to North America.
The Taipei Cultural Center provided funding for Tsai Ming-Liang’s visit.
Established in 2000, Homegreen Films is led by professional Asian filmmakers including Tsai Ming-liang, Lee Kang-sheng, and Claude Wang. Its objective is to develop films that have global perspective and originality.
The Taipei Economic and Cultural Office in Chicago (TECO in Chicago) provides consular services, news about Taiwan, economics/trade and cultural information. TECO in Chicago’s jurisdiction include seven states in the Midwest which are Illinois, Indiana, Iowa, Michigan, Minnesota, Ohio, and Wisconsin.There are multiple divisions providing services in TECO in Chicago which include the Consular division, Education division, Economic division, Press division, and the Cultural Center of TECO.
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TECO in Chicago provided funds for the Doc Films retrospective and is one of the hosts for the January 17 opening reception, as well as Tsai Ming-Liang’s April symposium at the University of Chicago.
The Center for East Asian Studies at the University of Chicago (CEAS) is an interdisciplinary nexus, clearinghouse, and resource for academic exploration and support related to the study of China, Japan, and Korea. For over 60 years, its mission has been to nurture scholarship of the highest level across the humanities and social sciences, and to facilitate deeper understanding of the region at the University of Chicago and beyond.
CEAS provided funds for the Doc Films retrospective and is one of the hosts for the January 17 opening reception, as well as Tsai Ming-Liang’s April symposium at the University of Chicago.